the white lighter

Admittedly, this blog and its maintainer have eclectic tastes. "Eclectic," as you might suspect, is a nice way of saying that there is very little intertwining theme to any of this. If you end up liking some (or most) of the things I like, you might find that wondrous.

In less subtle language, a few of the things you might see here: coffee/barista nerdery, androgyny and gender-fucking, gender studies in general, feminist theory, sex-positive imagery, fat people, photography and art of varying medium and subject, cat-related anything as well as my own feline friend, owls, tattoos, self-portraiture, nakedness, intermittent music of the people I love, writing, books, flea markets and thrift stores, Frida Kahlo, Patti Smith, anything related to my city of Philadelphia, me attempting to be less racist, and the sporadic, enjoyable internet meme I cannot resist. But I'll try to keep that last one to a minimum.

I seek to post only items which are credited to the originator, be it fine art, photography, tattoos, or writing. If you see something uncredited, do feel free to point it out to me. Also: ask anything. Call me out if I fuck up. Give props if you feel like it. Ask questions. I like internet interaction.
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Posts tagged "art"

2headedsnake:

Cosmic Nuggets

(via gointoexile)

Erik Olson, 2013, oil on canvas, 30 x 24 inches

(via sircle)

Black Contemporary Art

Julien Sinzogan was born in 1957 in Porto-Novo, Republic of Benin. He studied architecture in Paris at the École Spéciale des Travaux Public, and lives and works in France.

Sinzogan’s work expresses the way of life informed and inspired by the Yoruba divinatory and religious system known as Ifa. The Yoruba people of Nigeria and Benin in West Africa see life as taking a cyclical trajectory through which individuals experience the tangible world (aye), depart to the spirit world (orun) and are reborn. Sinzogan’s works explore the journeys between these different but closely related worlds. The voyages between such realms lie at the heart of religious practice across much of the Atlantic world, a world forever shaped by another voyage: the middle passage of the Atlantic slave trade.

Omar Ba is a Senegalese artist who holds a degree from l’Ecole Nationale des Beaux-arts de Dakar, and has been living in Geneva, Switzerland, since 2003, where he completed an MA at the Ecole Superieure des Beaux-Arts.

He has since has participated in four separate exhibitions at the Galerie Anne De Villepoix, as well as the Guy Bartschi gallery, and in 2011 won the prestigious Swiss Art Award.

Omar Ba’s paintings present a colorful, fantastic, at times chaotic world where the order of things as we perceive them in the visible world is turned on its head. Giant plants tower over a miniature human world gripped by globalization; huge mother and father figures become hybrid godlike creatures at once terrifying and seductive because of the sheer beauty of Omar Ba’s craftsmanship and decorative use of saturated color.

(via sircle)

darksilenceinsuburbia:

Eric Edward Esper. Green Hornet Streetcar Inferno, 2013 (from the series “Chicago Disasters). Oil on canvas, 27 x 27”.

Website

cavetocanvas:

Glenn LigonSelf-Portrait Exaggerating My Black Features and Self-Portrait Exaggerating My White Features, 1998

(via ladyfresh)

histoire-de-lart:

Paul Delvaux, ‘the awakening of the forest’, 1939,

oil on canvas

(via kirgiakos)