the white lighter

Admittedly, this blog and its maintainer have eclectic tastes. "Eclectic," as you might suspect, is a nice way of saying that there is very little intertwining theme to any of this. If you end up liking some (or most) of the things I like, you might find that wondrous.

In less subtle language, a few of the things you might see here: coffee/barista nerdery, androgyny and gender-fucking, gender studies in general, feminist theory, sex-positive imagery, fat people, photography and art of varying medium and subject, cat-related anything as well as my own feline friend, owls, tattoos, self-portraiture, nakedness, intermittent music of the people I love, writing, books, flea markets and thrift stores, Frida Kahlo, Patti Smith, anything related to my city of Philadelphia, me attempting to be less racist, and the sporadic, enjoyable internet meme I cannot resist. But I'll try to keep that last one to a minimum.

I seek to post only items which are credited to the originator, be it fine art, photography, tattoos, or writing. If you see something uncredited, do feel free to point it out to me. Also: ask anything. Call me out if I fuck up. Give props if you feel like it. Ask questions. I like internet interaction.
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Posts tagged "writing"

theluckyhell:

mrmojorisinn:

I could pee on this.

first time reblogging anything, seeing this today made me change my whole Tumblr layout


Sad Pretty Girls is looking for a graphic designer! Send your portfolio and CV to sadprettygirlsofcolor@gmail.com if you would like to be considered for this project.

SPG has received an overwhelming amount of support. Our inbox is already being flooded but we’re not satisfied; we want you! If you haven’t submitted yet, please do: sadprettygirlsofcolor@gmail.com. For those who’ve submitted, we will be getting back to you personally soon.

We’ve noticed there’s a lot of confusion regarding the name of the collection. To clarify, you don’t have to be clinically depressed or pretty by anyone’s standard, much less ours, for your work to be considered for this project. You just have to be a woman of color with a story to tell.

As we said in September, “Sad Pretty Girls is a collection of art and writing which seeks to explore post-adolescence and cultural identity through the perspective of millennial women of color.” Basically, send us anything you think women in our (loose) demographic can relate to! We’re interested in your story. We left that part of our guidelines purposefully vague to encourage creativity. We want your poems about death, falling in love, new media, old media and more; we want your artwork exploring themes like sexuality, religion and illness; we want your story. Even if you don’t think that your story fits, send it anyway. We want to hear from you. The submissions deadline is still 1st January, 2013. We look forward to hearing you.

Sara
www.wordsandturds.com / @wordsandturds

Britt

www.britticisms.tumblr.com / @britticisms

Safy

www.fatwasandfanboys.com/ @SafyHallanFarah

(via handaxe)

though how to really own your shit would be to talk about this on your tumblr and talk about how you fucked up in the past and will try to fuck up less in the future.

Ways I have really fucked up (that I know about):

1. I misgendered an acquaintance when speaking to their then-partner. I was mortified, corrected myself, and tried to move on with the conversation. I was also wasted — these are not excuses, they are reminders to myself to be more careful under these conditions because it is my job to remain vigilant even if I am not sober.

2. I have misgendered customers who come into the coffee shop. Saying, “Hello, ladies!” when “Hello, folks!” would be sufficient and just as friendly. The lesson here is for me not to assume someone’s gender upon seeing them — case in point, my friend C, who has been amazing and forgiving of my idiotic assumption upon meeting him — I need to use less gendered language, too, and this is something I have improved upon in the past couple of years.

3. About three years ago when cleaning up a coffee shop I worked at, I said out loud to a co-worker that the owner should “hire some Mexicans to do this job right.” I was joking about our boss being unreasonable, but obviously that isn’t funny. It was one of the more fucked up things I have ever, ever uttered out loud. My co-worker at the time garnered an incredible amount of respect from me when she called my ass out and told me my statement was unacceptable to her. I apologized immediately — and then apologized and thanked her again about a year later. I am most ashamed of this one, I feel sick even typing it out. The fact that this shit came out of my mouth makes me want to hide under a rock and never come out again.

4. I am sure there have been one million transgressions I wasn’t aware of, and for those I am sorry too.

I hope to find more people like my co-worker mentioned in #3, and surround myself with them. I am grateful for the friends I have who do and will continue to call me out when I say or do something that is wrong. I am thankful to have found an online community which encourages me to keep learning, and illustrates to me when I have done something wrong (or even just tacitly supported wrongdoing). It’s an ongoing process. This is part of it.

blackgirldangerous:

Are you a writer? Are you a queer or trans* person of color or an ally of color? Do you have a list of creative things you are supposed to be working on, but can’t find the time or inspiration to do it? Need a little nudge? How about a kick in the…er, pants?

Join the Black Girl Dangerous…

Workshop details. This is in my ‘hood, I am so excited. DOWN THE STREET. (I am not planning to attend, obviously, just stoked that it is happening, I think Mia rules.)

blackgirldangerous:

Written for Black Girl Dangerous by Jackie, Sara and Asam of the It Gets Better Project

For many of us, queer or not, it doesn’t get better - it gets fatter! Instead of hating ourselves or clinging to false platitudes about how much better its going to get in…

Reblogged because there is a Philly workshop!

You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should’ve behaved better.
Anne Lamott (via epitomeofperfection)

(via linzo)

imremembering:

The Hairpin interviews Ryan Nerz, a former Sweet Valley High ghostwriter (in 1998), about how the SVH sausage gets made. Spoiler: with lots of weed.

[Hairpin]

Going through years-old photos, ticket stubs, letters, and notes gives a body a strange nostalgic weight. The reminder that you lived all that time and loved all those people has a physical remainder — these things. These things you are sorting, some of which will end up in a landfill, some of which will make art, some of which will go back into the box or tin to be rediscovered the next time you move (which will hopefully be never).

The tuft of cotton he forced me to pick alongside the highway the very first time I visited him in North Carolina. He goaded me get out of the car, run to the edge of the field, grab a tuft of someone’s ripe crop. And I did it because I’d never seen cotton in person before, not as anything other than clothing I purchased in a store. The tuft hung from my rearview mirror for the duration of our relationship, two more years. It stays.

The letters she wrote me when they were first starting to date, when she was borderline obsessed with my friendship and I was too insecure and alone to recognize her instability. She sounds manic in every single one. They go.

The Jump, Little Children burned CDs she sent me in 2003, along with a few letters she had accrued over the course of months. We’ll meet for the first time this year, when she comes to the east coast for grad school. It stays.

The pictures of my first love with our cockatiel, Sebastian. The last phone conversation we had was after Sebastian died; he wanted to know what year we’d gotten him, so he could calculate his age and decide whether he’d been a good bird-father. I Google his full name and try to find him in the internet white pages so I can mail the images without disturbing his new life. They go.

I watched a dandelion lose its mind in the wind
and when it did, it scattered a thousand seeds,
So the next time I tell you
how easily I come out of my skin,
don’t try to put me back in,
Just say, here we are, together at the window
aching for it to all get better
but knowing as bad as it hurts,
our hearts may have only just skinned their knees,
knowing there is a chance
the worst day might still be coming,
Let me say, right now for the record,
I’m still gonna be here,
asking this world to dance
even if it keeps stepping on my holy feet…
I don’t know the origin of the “write what you know” logic. A lot of folks attribute it to Hemingway, but what I find is his having said this: “From all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive.” If this is the logic’s origin, then maybe what’s happened is akin to that old game called Telephone. In the game, one kid whispers a message to a second kid and then that kid whispers it to a third and so on, until the message circles the room and returns to the first kid. The message is always altered, minimized, and corrupted by translation. “Bill is smart to sit in the grass” becomes “Bill is a smart-ass.” A similar transmission problem undermines the logic of writing what you know and, ironically, Hemingway may have been arguing against it all along. The very act of committing an experience to the page is necessarily an act of reduction, and regardless of craft or skill, vision or voice, the result is a story beholden to and inevitably eclipsed by source material.
BRET ANTHONY JOHNSTON

Don’t Write What You Know

Why fiction’s narrative and emotional integrity will always transcend the literal truth

(A wonderful article, particularly for beginning writers, filled with true things. Go and read it at http://www.theatlantic.com/magazine/archive/2011/08/don-rsquo-t-write-what-you-know/8576/)

(via neil-gaiman)